Which durst enlarger

Size Enlarges In began mass production of a huge enlarger for 30 x 40 cm negatives. Soon after, creating very thin pressure-cast aluminum components made it possible to create sophisticated designs. Even in the 40s and 50s a good part of its production was for the international market. In the s Durst was one of the few companies offering a lot of jobs in tiny Bressanone, at the time visibly undersized, industrially. New Headquarters This was the year the new production plant starting operating.

The Closed-Loop System The closed loop includes a system of measuring light with a microprocessor able to correct all variations in light quality before and during exposure. With three narrow-band measuring cells in the aim-finder, the percentage of the three basic colors — blue, green and red — is measured five times per second practically continually and compared with the filter value while data is memorized for input and correction.

Durst Goes Digital In began intense research and development work. Durst New Production Facility, Lienz, Austria Durst opens a new production plant in Lienz, in the eastern Tyrol With the advent of inkjet technology and its growth potential, it was necessary to expand production capacity. July 23, , the Lienz Research Center Inaugurated This new research center for inkjet technology, equipped with one of the most up-to-date chemistry-physics labs and a suitable scientific team, specializes in researching the bases for using inkjet printing in the energy technology, life sciences and health sectors and in security codes for brands — the products of and beyond….

Learn more. Have questions or want to talk to our experts? Contact Us. Try it and check for alignment. Download the instruction manual , and get a grain focuser. That's all I can recommend at the moment. You have the rest covered. Eventually get the ready-made multi-contrast filters for the filter drawer. Actually the ad was not very descriptive so I asked for more photos. I have no idea if it has a bulb.

But if not, do you think it is easy to find? Because 50 euro is very cheap so I was thinking to upgrade the lens and other stuff if they are not working. The manual link in previous post should show what lamp you need. I use the quartz halogens in reflector and have no trouble finding them. Post again if you cannot find them. Looks good so far.

The lens is excellent. It is for 35 mm film. If you like to do 6x6 cm also you need a additional 80 mm lens. This is the classical BW version of the IIRC it uses a W opal lamp. These are a bit hard to find nowadays, but I think Fotoimpex or Foto-Brenner should have it. I can't find a set of multigrade filters on the pictures.

If they are not there you can only use fix graded photo paper or multigrade paper will work with gradation 2,5. Fixed graded paper is rare today and mostly you can only get one or two grades, so it hardly makes sense.

In the past there was about grades available. So maybe you need to buy a set of filters. But for 50 euros it's always worth the money. If you are keen to try darkroom work, then 50 Euros is a bargain, I'd just grab it. Really, the lens is worth that. Beware though, it is such an enjoyable process, it will destroy any spare time you currently have. Regarding multi-contrast filters, for my small enlarger Focoma IIa I modified the red filter holder to hold multi-contrast filters.

No observable loss in quality. I should probably modify for a better system, but I should live so long. And if I want to upgrade to a color version, can I find a color head only for these enlargers? I checked ebay but couldn't find one. I do not recommend color printing. It can drive you crazy. There are heads that have intelligent timers that automatically set the right time for each individual multi-grade filter, even split grades.

I use an Ilford multigrade system head and controller for LF and rue the day it breaks down. I picked up the enlarger and other stuff today and assembled at home. It is working quite well but I have a question. It comes with two different timers. First one wooden box is hand made and it is hard to adjust and I think it is not accurate. The other one looks much better but I have to make the connections myself. Do you know how to do that?

It is a condensor version, so you need an Opal 75W or W version. I have several 39mm lenses el-nikkor 50mm f4 and f2. The reason I,ve dug out the is because the neg carriers I have on the omega only allow for single negs from to 5x4. I don't have the strip neg holder. Looking forward to using it, planning to do some lith printing. I love the adjustable mask. Apr 11, 5. Leppy: As to your knurled set screw holding the lensboard ixotub, I would suggest you may not have seated the lensboard properly.

I found that it requires a little jiggling and playing with it for the set screw to seat the lensboard I would do that first before I began filing anything. I would just use a 75 watt bulb and consider using a rheostat to reduce the light output. I personally do not find by doing that that it affects variable contrast printing negatively as long as you are consistent.

Apr 11, 6. The lens board is definitely seated properly. I,m wondering if at some time the screw was replaced with one with a slightly larger dia knob. Even if it screwed in further there's not enough gap between the body and the safelight knob for it to pass between. It's only a fraction of a mm to come off so I think that's the way to go.

Yes, of course your right about the short exposures and heat build up. I,d been messing about with it and had the bulb on for some time so obviously it got hot. Apr 11, 7. Small, compact enlargers can be important in a home darkroom. The Dursts are by far at the top of the list for quality and ease of use. I used one of these for many years. Fortunately, it came with a box of accessories as even then these were almost impossible to buy.

I also had the original booklets so I could identify the other accessories I wanted, which I picked up one by one at photo fairs and secondhand shops, again at too high prices. Australia was like that in those days, anything expensive in photo gear cost a kidney and more. The Durst sat on a small bar cart on a corner of our second bedroom, which was my darkroom for almost two decades.

I made two marks on the column for 'quickie' prints, one for 4x5s for 35mm and the other for 5x5s on 5x8 paper for The 75mm lens was rock sharp, much better than the El-Nikkors I use now. I made many thousands of beautiful prints with this kit.

The Leitz got very little use and I sold it last year. The LPL has been my workhorse for 20 years. Eventually I decided to pass on my Durst to a camera club, the members used it for a while but then moved up to bigger and better and it has been put away in a cupboard for ages. I am sorry gave it away and have thought of reclaiming it. Like all things designed in Italy, it worked really well and everything on it was thought out to perfection.

As my partner once told me, "the thing should have been renamed the Fiat I have not seen one of these on Australian Ebay for a long time. Yes, I still look. The advice I would give to anyone who either has one or intends to buy one is, try to find the brochures there were two booklets that came with the enlarger.